Like his father, Carl Philipp Emanuel Bach wrote three sonatas for viola da gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent viola da gamba player in the court orchestra an opportunity to show his virtuosic ability. While the two Sonatas Wq 136 and 137 have a basso continuo, Bach followed his father's example as far as the Sonata in g minor Wq 88 was concerned: the right and left hands of the harpsichord compete with the solo instrument in three equal parts. The original register of the viola da gamba part also permits a version for viola, a practice that has been verified in the sources of the time. This version is available in our Urtext edition as an alternative part.
Urtext edition edited by Ernst-Gunter Heinemann and Wolfram Ensslin, with fingering and bowing for Viola by Jurgen Weber, and for Gamba by Rainer Zipperling. Figured bass realisation by Wolfgang Kostujak.
Edition for Gamba or Viola and Harpsichord, paperbound, with marked and unmarked string parts.
99 Pages (VIII + 44 + 26 + 21)
G Henle Verlag HN 990
Gamba Sonatas WQ 88, 136, 137 - Edition for Gamba (Viola)
Bach, CPE - Gamba Sonata (Viola) in C major Wq 136
Bach, CPE - Gamba Sonata (Viola) in D major Wq 137
Bach, CPE - Gamba Sonata (Viola) in G minor Wq 88
Bach, CPE - Gamba Sonata in C major Wq 136
Bach, CPE - Gamba Sonata in D major Wq 137
Bach, CPE - Gamba Sonata in G minor Wq 88
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